Journal Articles

• Callus, P., Sloan, S., 2024. Reimaging Space through anthropology, architecture and animation. Animation Practice, Process and Production.
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Conferences

• Anderson, E.F., Sloan, S., 2020. Recreating Past and Present: An Exceptional Student-Created Virtual Heritage Experience. EUROPEAN ASSOCIATION FOR COMPUTER GRAPHICS 41ST ANNUAL CONFERENCE, EUROGRAPHICS 2020, EDUCATION PAPERS, 27-28.
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• Sloan, S., Meigh-Andrews, D.C., Ball, S., 2010. Motion capture portraits. In: The Idea of Digitality in a Post-Digital Age 10/12/2010 P3 Gallery, University of Westminster, London, England.
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• Sloan, S., Cholodenko, A., Hamlyn, N., Leslie, E., 2010. Animating Stillness. Motion Capture Portraits. In: Animation Deviation 14/07/2010 Watershed Media Centre, Bristol, England. Watershed Media Centre Bristol: University of the West of England.
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Internet Publications

• Sloan, S., Stepien, H., Cheryl, M.. Digital Storytelling and Indigenous Language Rights. Films by the Quijos Nation.
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• Sloan, S., Stepien, H., Cheryl, M.. Digital Storytelling and Indigenous Language Rights. Films by the Quijos Nation.
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Exhibitions

• Sloan, S., Collins, S., Hardie, P., Head, T., Isley, V., Smith, P., Hamman, S., Sloan, H., 2011. Broken Stillness group exhibition.. Moving Image, Animation. Broken Stillness. Salisbury Art Centre, England. 09/03/2011.
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• Sloan, S., Steller, H., Horitz, G.. Cover to Cover. Exhibition. Cover to Cover. Bournemouth Library, Bournemouth, England. 26/10/2006.
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• Sloan, S.. Studies in Stillness: Motion Capture Portraits. The Photographers' Gallery, London.. Animation and Motion Capture. Studies in Stillness: Motion Capture Portraits. The Photographers Gallery,London, W1F 7LW. 11/07/2012.
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• Sloan, S.. Uncontainable: Broken Stillness. International Symposium of Electronic Art, Istanbul. 3D Animation, Motion Capture. ISEA2011. The 17th International Symposium of Electronic Art. Sirket-i Hayriye Art Gallery, Istanbul. 14/09/2011.
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Design

• Sloan, S., Vanner, A., McCretton, N., Hodge, S.. Viral Duets. Second Life online virtual world.
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• Sloan, S.. Mother and Daughter.
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• Sloan, S.. Me and Mrs Sloan. ArtSway Gallery, New Forest. Millais Gallery, Southampton.
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• Sloan, S.. Still Lives #3.
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• Sloan, S.. Three Way Conversation. Siggraph Art Gallery, San Diego; Atrium Art Gallery Bournmouth University.
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• Sloan, S.. Figure in Motion. Various locations.
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Profile of Teaching UG

• Level 5 Group Project. Live professional and set briefs
• Level 4 - Fundamentals of Design
• Level 5 Design for Production 2
• Level 5 - Computer Animation Production 2
• Level 4 Design for Production 1
• Level 6 Major Project and Report
• Level 5 Production Design - BA Film (contribution)
• Advanced VFX Techniques (contribution)

External Responsibilities

• The Glasgow School of Art, External Examiner for Mphil Thesis students (2010-2011), http://www.gsa.ac.uk/research/research-centres/school-of-simulation-and-visualisation/

Public Engagement & Outreach Activities

• Bournemouth Emerging Arts Fringe Submissions Panel (11 Jan 2019)

Qualifications

• PGCE in Research Degree Supervision (Bournemouth University, 2009)
• MPhil in 2D/3D Motion Graphics and Virtual Prototyping (The Glasgow School of Art, 2001)
• BA (Hons) in Fine Art, Sculpture (Robert Gordon University, Grays School of Art, 1991)

Networks

• Member of Visual Research Group, NCCA, Bournemouth University. Affiliated member of EMERGE research centre, Bournemouth University

Website Links

• https://www.flickr.com/photos/7731743@N04/